delhi tourism places

Bahai Temple


East of Nehru place, this temple is built in the shape of a lotus flower and is the last of seven Major Bahai's temples built around the world. Completed in1986 it is set among the lush green landscaped gardens.

The structure is made up of pure white marble The architect Furiburz Sabha chose the lotus as the symbol common to Hinduism, Buddhism,

Jainism and Islam. Adherents of any faith are free to visit the temple and pray or meditate.

Around the blooming petals there are nine pools of water, which light up, in natural light. It looks spectacular at dusk when it is flood lit








Parliment House


The Parliament house is a cirular colonnaded building . It also houses ministerial offices,numerous committee rooms and an excellent library as well. Conceived in the Imperial Style, the Parliament House consists of an open verandah with 144 columns.

The domed circular central hall with oak paneled walls and the three semi circular buildings are used for the Rajya Shabha and Lok Shabha meetings.


Purana Quila

One does not have to go far to see the old fort or Purana Quila standing stoically amidst wild greenery.Built on the site of the most ancient of the numerous cities of Delhi, Indraprastha, Purana Quila is roughly rectangular in shape having a circuit of nearly two kilometers.

The thick ramparts crowned by merlons have three gateways provided with bastions on either side. It was surrounded by a wide moat, connected to river Yamuna, which used to flow on the east of the fort. The northern gate way, called the Talaqui darwaza or the forbidden gateway, combines the typically Islamic pointed arch with Hindu Chhatris and brackets; whereas the southern gateway called the

Humayun Darwaza also had a similar plan.

The massive gateway and walls of Purana Quila were built by Humayun and the foundation laid for the new capital, Dinpanah.

The work was carried forward by Sher Shah Suri,who displaced Humayun, Purana Quila is the venue for the spectacular sound and light show held every evening.

India Gate

At the centre of New Delhi stands the 42 m high India Gate, an "Arc-de-Triomphe" like archway in the middle of a crossroad. Almost similar to its French counterpart, it commemorates the 70,000 Indian soldiers who lost their lives fighting for the British Army during the World War I. The memorial bears the names of more than 13,516 British and Indian soldiers killed in the Northwestern Frontier in the Afghan war of 1919.

The foundation stone of India Gate was laid by His Royal Highness, the Duke of Connaught in 1921 and it was designed by Edwin Lutyens. The monument was dedicated to the nation 10 years later by the then Viceroy, Lord Irwin. Another memorial, Amar Jawan Jyoti was added much later, after India got its independence. The eternal flame burns day and night under the arch to remind the nation of soldiers who laid down their lives in the Indo-Pakistan War of December 1971.

The entire arch stands on a low base of red Bharatpur stone and rises in stages to a huge moulding. The cornice is inscribed with the Imperial suns while both sides of the arch have INDIA, flanked by the dates MCMXIV (1914 left) and MCMXIX (1919 right). The shallow domed bowl at the top was intended to be filled with burning oil on anniversaries but this is rarely done.

During nightfall, India Gate is dramatically floodlit while the fountains nearby make a lovely display with coloured lights. India Gate stands at one end of Rajpath, and the area surrounding it is generally referred to as 'India Gate'.

Surrounding the imposing structure is a large expanse of lush green lawns, which is a popular picnic spot. One can see hoards of people moving about the brightly lit area and on the lawns on summer evenings

source: tourist places in delhi {www.delhiplaces.com}

delhi tourism place

India Gate


At the centre of New Delhi stands the 42 m high India Gate, an "Arc-de-Triomphe" like archway in the middle of a crossroad. Almost similar to its French counterpart, it commemorates the 70,000 Indian soldiers who lost their lives fighting for the British Army during the World War I. The memorial bears the names of more than 13,516 British and Indian soldiers killed in the Northwestern Frontier in the Afghan war of 1919.

The foundation stone of India Gate was laid by His Royal Highness, the Duke of Connaught in 1921 and it was designed by Edwin Lutyens. The monument was dedicated to the nation 10 years later by the then Viceroy, Lord Irwin. Another memorial, Amar Jawan Jyoti was added much later, after India got its independence. The eternal flame burns day and night under the arch to remind the nation of soldiers who laid down their lives in the Indo-Pakistan War of December 1971.

The entire arch stands on a low base of red Bharatpur stone and rises in stages to a huge moulding. The cornice is inscribed with the Imperial suns while both sides of the arch have INDIA, flanked by the dates MCMXIV (1914 left) and MCMXIX (1919 right). The shallow domed bowl at the top was intended to be filled with burning oil on anniversaries but this is rarely done.

During nightfall, India Gate is dramatically floodlit while the fountains nearby make a lovely display with coloured lights. India Gate stands at one end of Rajpath, and the area surrounding it is generally referred to as 'India Gate'.

Surrounding the imposing structure is a large expanse of lush green lawns, which is a popular picnic spot. One can see hoards of people moving about the brightly lit area and on the lawns on summer evenings.


Red Fort

The Red sandstone walls of the massive Red Fort (Lal Qila) rise 33-m above the clamour of Old Delhi as a reminder of the magnificent power and pomp of the Mughal emperors. The walls, built in 1638, were designed to keep out invaders, now they mainly keep out the noise and confusion of the city.

The main gate, Lahore Gate, is one of the emotional and symbolic focal points of the modern Indian nation and attracts a major crowd on eachIndependence Day.

The vaulted arcade of Chatta Chowk, a bazaar selling tourist trinkets, leads into the huge fort compound. Inside is a veritable treasure trove of buildings, including the Drum House, the Hall of Public Audiences, thewhite marble Hall of Private Audiences, the Pearl Mosque, Royal Baths and Palace of Color.

An evening sound and light show re-creates events in India's history connected with the fort.

Safdarjang Tomb

Safdarjung's Tomb is the last enclosed garden tomb in Delhi in the tradition of Humayun's Tomb, though it if far less grand in scale. It was built in 1753- 54 as mausoleum of Safdarjung, the viceroy of Awadh under the Mughal Emperor, Mohammed Shah.

It has several smaller pavilions with evocative names like Jangli Mahal, (Palace in the woods), Moti Mahal (Pearl Palace) and Badshah Pasand(King's favourite).

The complex also has a madarsa. The archaeological Survey of India maintains a library over the main gateway

source: tourist places in delhi {www.delhiplaces.com

delhi tourist places

Akshardham Temple


Swaminarayan Akshardham reflects the essence and magnitude of India's ancient architecture, traditions and timeless spirituality.

The main monument, depicting ancient Indian "vastu shastra" and architecture, is a marvel in pink sandstone and white marble that is 141 feet high, 316 feet wide and 370 feet long with 234 ornate pillars, over 20,000 sculptures and statues of deities, eleven 72-foot-high huge domes (mandapams) and decorative arches. And like a necklace, a double-storied parikrama of red sandstone encircles the monuments with over 155 small domes and 1,160 pillars. The whole monument rises on the shoulders of 148 huge elephants with 11-feet tall panchdhatu statue of Swaminarayan presiding over the structure.

The other attractions of the complex are three exhibition halls spaced around two huge ponds, where one is a venue for light-and-sound show. The three halls are "Sahajanand Darshan", "Neelkanth Darsdhan" and "Sanskruti Vihar". "Sahajanand Darshan" is where life of Swaminarayan is displayed through robotic shows, while "Neelkanth Darsdhan" has a huge I-Max theatre screening movie based on the life of the Lord. Another amazing presentation is "Sanskruti Vihar" with 12-minute boat ride experience of India's glorious heritage. 

The sprawling Swaminarayan Akshardham complex spread over 30 acres on the banks of the Yamuna near Noida Mor in East Delhi.

For visitors, entry to the complex is free. However, those who want to visit exhibition halls and theatres, Rs.125 is to be paid and for children and senior citizens the charges are Rs.75. "Over 6,000 visitors could easily witness the shows and enjoy boat-rides everyday, while over 25,000 people can visit the temple. We have deployed almost 140 guides who will facilitate visitors during their visit. It requires at least four hours to visit the entire complex thoroughly and see all the shows," said a temple management committee member, adding that the opening ceremony would be telecast live on Aastha channel. Elaborate security arrangements have also been made for the entire complex. Besides installing close circuit television cameras it has also deployed hundreds of its own security personnel.

The Rs.400-crore cultural complex, inspired by Pramukh Swami Maharaj of the Bochasanwasi Shri Akshar Purushottam Swaminarayan Sanstha (BAPS), will be popularised by its builders as "a place for cultural education and entertainment". The temple complex has drawn inspiration for its architecture from the historic temples of Badrinath (Uttaranchal), Somnath (Gujarat) and Konark (Orissa). It is the second Akshardham complex in the country after the one at Gandhinagar in Gujarat.

Even as last-minute preparations are now on for the inauguration, curious visitors have started coming in for a look or for offering "puja" and "abhishek".

At the heart of the complex is a palace-like monument built of at least 12,000 tons of pink sandstone and white marble brought in from Rajasthan. Topped with a series of domes, it stands 129 feet high, 275 feet wide and 315 feet long. Almost every square inch of the exterior has been exquisitely carved with statues and motifs of Hindu deities and Indian flora and fauna.

Pramukh Swami Maharaj, the 83-year-old spiritual leader of the Swaminarayan sect that has over 10 lakh followers across the globe, has closely monitored every detail of the complex. It took over 7,000 builders, masons and polishers to build the complex in record time. The place is built to withstand major quakes "and to last at least a thousand years".

The complex has two huge exhibition halls; one will take visitors on a visual journey through India's cultural heritage, while the other "will depict Indian moral values through a light-and-sound show". The complex also boasts of an Imax cinema, a canteen big enough to accommodate 5,000 people at one sitting, a research centre for "social harmony" and meditation gardens dotted with fountains and bronze sculptures.


Jama Masjid

This great mosque of Old Delhi is the largest in India, with a courtyard capable of holding 25,000 devotees. It was begun in 1644 and ended up being the final architectural extravagance of Shah Jahan, the Mughal emperor who built the Taj Mahal and the Red Fort.

The highly decorative mosque has three great gates, four towers and two 40 m-high minarets constructed of strips of red sandstone and

white marble. Travellers can hire robes at the northern gate. This may be the only time you get to dress like a local without feeling like an outsider so make the most of it.

Dilli Haat

The craftsmen who are registered with D.C.Handicrafts are the ones who are eligible to find a place here. The 62 stalls selling handicrafts are allotted on a rotational basis to craftsmen who come from all corners of the vast & varied land of India at a payment of mere INR 100 per day for a maximum period of 15 Days. This ensures that visitors get to buy authentic wares at prices that have not been inflated by high maintenance costs.

You can also savour the inimitable flavors of the delightful local foods from the various regions of India be it the momos from Sikkim or theBamboos hot chicken from Nagaland, Kahwa & Kebabs from Jammu,Pooranpoli from Maharastra or the Gujrati Dhokla. As many as 25 food stalls offer you variety of foods served in an Eco friendly manner.

The DILLI HAAT provides the ambience of a traditional Rural Haat or village market, but one suited for more contemporary needs. Here one sees a synthesis of crafts, food and cultural activity.

This Food and Craft Bazar is a treasure house of Indian culture, handicrafts and ethnic cuisine, A unique bazaar, in the heart of the city, it displays the richness of Indian culture on a permanent basis.

Step inside the complex for an altogether delightful experience by either buying inimitable ethnic wares, savouring the delicacies of different states or by simply relaxing in the evening with the entire family.

DILLI HAAT transports you to the magical world of Indian art and heritage presented through a fascinating panorama of craft, cuisine and cultural activities.

While the village haat is a mobile, flexible arrangement, here it is crafts persons who are mobile. The DILLI HAAT boasts of nearly 200 craft stalls selling native, utilitarian and ethnic products from all over the country.

An ambitious project, set up jointly by Delhi tourism and NDMC, D.C. (Handicrafts) & D.C. (handlooms), Ministry of Textiles, Govt. of India & Ministry of Tourism, Govt. of India. It aims at providing encouragement to the needy artists from all over the country in order to sustain and preserve the rich heritage of India.

While allowing free interaction between buyers and sellers, the organizers favour a check on prices to keep them moderate.

Different and appealing, DILLI HAAT is located in one of the most important commercial centers of South Delhi, opposite INA market. The 6 acres of land on which this sprawling complex is situated was salvaged as part of a reclamation project and transformed into a magnificent dream plaza. Extensive foundation work, small thatched roof cottages and kiosks with a village atmosphere have made the place into an attractive multiple center.

The word Haat refers to a weekly market in rural, semi-urban and sometimes even urban India.

DILLI HAAT is not just a market place; it has been visualized as a showpiece of traditional Indian culture- a forum where rural life and folk art are brought closer to an urban clientele.

It is here that the crafts persons find an opportunity to demonstrate their artistic skills to thousands of visitors everyday.

Since its inauguration in the month of March 1994, Dilli Haat has been home to nearly 50,000 handicraft and handloom artisans. The sales generated, so far, are estimated at Rupees three hundred crores.

The complex is not only artistic, but also recreational in nature where the entire family can have a good time.
It is a place where one can unwind in the evening and relish a wide variety of cuisine without paying the exhorbitant rates.

Besides an International Food Plaza there are 25 stalls dishing out sumptuous delicacies from different States and Union Territories; and Exhibition Hall; a Souvenir shop selling an assortment of small gift items; an open stage for cultural programmes and a playing area exclusively earmarked for children.

Architecture

The architectural features of the complex have been especially designed in the traditional north Indian style, with brickwork jail (lattice) and stone roofs.

A hall in the complex specifically caters to exhibitions of the handlooms and handicrafts. A souvenir shop, also displays attractive ethnic products.

The small thatched roof cottages and kiosks, without any concrete structures provide a village atmosphere.

The shops are set up on platforms, which act as a link in the Bazar design. The courtyards between the shops are paved in stone and interspaced with grass to retain a visual softness.

The landscaping of the area incorporates colourful flowering shrubs and trees, thus the entire complex is in harmony with the environment

source: tourist places in delhi {www.delhiplaces.com}

delhi tourist place

• Delhi Red Fort
• 
• ¤ The Construction
• 
  
• Built during the reign of Shah Jahan, the Lal Qila (or Red Fort) has been a mute witness to innumerable conspiracies, scandals, battles..... Completed in a span of nine years, it cost about ten million rupees , with about half the sum going towards the building of palaces.
• 
  
• The fort is octagonal in shape, like most Islamic buildings in India. The north of the fort is connected to the smaller Salimgarh fort. The Red Fort is an intimidating structure. It measures 900m by 550m, with its rampart walls covering a perimeter of 2.41km. It towers at a height of 33.5m. On the outside, you can still see the moat that was originally connected with the Yamuna River.
• 
  
• 
  
• ¤ The Major Gateways
• 
  
• Besides the Lahori Gate, the entry point is the Hathipol (elephant gate), where the king and his visitors would dismount from their elephants. The other major attractions of the Red Fort are the Mumtaz Mahal, the Rang Mahal, the Khas Mahal, the Diwan-i-Am, the Diwan-i-Khas, the Hamam and the Shah Burj.
• 
  
• Every year, on the 15th of August, the National Flag of India is hoisted at the Red Fort by the Prime Minister , celebrating India's independence
• 
  
• 
  
• 
  
• 
  
• Tughlaqabad Fort
• 
  
• 
  
• ¤ Fort Stands In Isolation
• 
  
• 
• 'Ya base gujjar, ya rahe ujjar.' (May [this city] be the abode of nomads or remain in wilderness.)
• 
  
• These words, with which the great Sufi saint Hazrat Nizamuddin Auliya cursed Ghiyas-ud-din's city, seem to still echo all over the ghostly ruins of Tughlaqabad. The citadel frowns down ominously like some Gothic palace all over the Qutub-Badarpur road and seems to prefer its splendid isolation. Which is of course not exactly what Ghiyas-ud-din Tughlaq had in mind when he started out building it. It would have broken the old sultan's heart if he had seen just how swiftly the saint's curse went into action; soon after his death in fact. 
• 
  
• 
  
• ¤ Ghiyas-ud-din Tughlaq Raised The City
• 
  
• It seems that even when he was far from being a king Ghiyas-ud-din Tughlaq had dreamed of raising his city, Tughlaqabad. Earlier, Ghiyas-ud-din had been a general (he rose to being the governor of an important province like Punjab, but that's another story) in Ala-ud-din Khalji's army. Once while on the road with Ala-ud-din, Ghiyas-ud-din, on spotting this area, mentioned to the sultan what an ideal setting it seemed to provide for a new city. Upon this the king indulgently (and, knowing Ala-ud-din, also perhaps patronizingly) replied, 'When you become king, build it.' Knowing full well, as every boss, that while he was around there was not a shadow of a chance of anyone else taking his place. After the death of Ala-ud-din various events conspired to put the general on the throne at last. Then he fulfilled his long-cherished dream. 
• 
  
• 
  
• ¤ A Stratigical Layout of The Fort
• 
  
• Romanticism apart, Tughlaqabad also made perfect strategic sense. Those were the times the Mongols were a real menace to society and generally a pain in the neck for all the sultans of the Delhi Sultanate. Almost everything that the sultans built was aimed baffling the Mongols with sheer structural magnificence (read somewhere to duck in and hope for the best).
• 
  
• Tughlaqabad fort, situated as it was on high rocky ground, was ideally located to withstand sieges. Ghiyas-ud-din Tughlaq helped matters along by putting up formidable walls which, though short on aesthetic value, are excellent examples of solid unimaginative masonry and not the type that any invading army could hope to scale in a hurry. Tughlaq put ramparts towering at heights of anywhere between 9m (30ft) to 15.2m (50ft), and rising up to 29.8m (98ft) around the citadel, between himself and the Mongols. 
• The fort is half-hexagonal in shape and Ghiyas-ud-din seems to have built defenses around and in it till he was blue in the face. The outer walls are built around the silhouette of the surrounding land and, what with their height and width, add formidably to the natural barriers. They were also well defended. On the north, east and west sides it is protected by trenches that go far down, and in the south a lake acts sentinel. 
• 
  
• 
  
• ¤ To Reach The Inner Complex of The Fort
• 
  
• The parapets have small loopholes all over them from where Ghiyas-ud-din's soldiers to spot invaders quickly and start saying it with arrows. The fort has or at least had thirteen portals and the inner citadel has three more. If you could reach them that is, because it was defended in depth by three layers of battlements. 
• 
  
• For all the defense, the city of Tughlaqabad hardly saw any warfare. Perhaps that is why it bears such an air of dejection – it could never fulfill the task it was built for. You enter the fortress by a highway, which was set one 27 arches, almost all of them have vanished now. Water being prized commodity (and allegedly one of the reasons why Tughlaqabad was finally abandoned) there was a huge reservoir to store rainwater in the fortress; you can still see it.
• 
  
• When one enters the fort, the first impression is of emptiness; the ruins begin registering later. It is difficult to imagine that if one was somehow transported a few centuries back, these very walls would come alive, with people brushing past you and if things got really lively one could even find oneself in the midst of a full-scale Mongol invasion. 
• 
  
• As you enter, to the left, used to be the palaces and to the right still stand the ruins of the a tower (Bijai Mandal, not to be confused with the one in Jahanpanah; also see Bijai Mandal), several halls and a subterraneous passage that led to the Bijai Mandal in Jahanpanah. Just beyond was the city, with its streets (all laid out in a grid), houses, mosques, peoples and bazaars. 
• 
  
• 
  
• ¤ An Excellent View
• 
  
• A walk up the walls is well worth the while and, well, one of the main reasons why people come here at all. The vista is glorious; the ruins inside the fort, Ghiyas-ud-din's tomb next door and remains of the Adilabad fort (built by Ghiyas-ud-din's son Muhammad) lay scattered in front of you like petty detail. 
• Walking along the southern side of the fortress next to the outer wall is a way out of the impregnable fortress which one supposes was reserved for dire emergencies in case of prolonged sieges. This was a standard practise all over India; a secret escape route was part of the building plan in any fortress. Don't feel tempted to try it, if you value your neck. Further towards the west there is an abysmal tank which you don't want to go falling into – it is called the road to hell (Jahannum ka raasta) and for obvious reasons. 
• 
  
• For a place of its size, Tughlaqabad was built with surprising speed, just four years. and of course abandoned with equal speed in 1327. Muhammad-bin-Tughlaq, probably being one of those modern free thinking guys who didn't want to be known by his father's laurels, chose to make a city of his own called Jahanpanah. One of his first achievement being to do away with Ghiyasuddin by arranging one of those accidents that were so frequent in medieval ages; a pavillion built to welcome Ghiyas-ud-din fell on him, of all things. 
• Anyway, with the sultan's death, the city's short-lived glory to an abrupt end.

source: tourist places in delhi {www.delhiplaces.com}

delhi important place

Lodi Tomb

The old Lady Willington Park, now known as Lodhi Garden, is dotted with monuments of Sayyid and Lodhi Periods, which include tombs mosques, and bridges .

The tombs of Muhammad Shah and Sikandar Lodhi are the good examples of octagonal tombs. Shish and Bara Gumbad are square tombs with imposing dome, turrets on corners and facades giving false impression of being double storeyed.

It is a favourite point for early morning walkers from the posh south Delhi colonies.

Jantar Mantar

Jantar Mantar (Yantra - instruments, mantra - formulae) was constrcted in 1724. Maharaja Jai Singh of Jaipur who built this observatory went on to build other observatories in Ujjain , Varanasi and Mathura. Jai Singh had found the existing astronomical instruments too small to take correct measurements and so he built these larger and more accurate instruments.

The instruments at Jantar Mantar are fascinating for their ingenuity, but

accurate observations can no longer be made from here because of the tall buildings around.

Garden of Five Senses

The Garden of Five Senses is not just a park, it is a space with a variety of activities, inviting public interaction and exploration. The project, developed by Delhi Tourism Transportation Development Corporation, was conceptualized to answer to the city's need for leisure space for the public, for people to socialize and unwind. Such spaces add atmosphere and life to a city and cater to all sections of the society.

The twenty-acre site, located at Said-Ul-Azaib village, close to the Mehrauli heritage area in New Delhi, is spectacular. The Garden was inaugurated in February 2003. Majestic rocks stand silhouetted against the sky, others lie strewn upon the ground in a casual yet alluring display of nature's sculptural genius. It was the ideal ground on which to realize the concept of a public leisure space that would awaken a sensory response and thereby a sensitivity to the environment.

Soaring stainless-steel birds mounted on slate-clad pillars welcome you into the park. An expansive plaza, set on the natural slope of the site, invites you up the spiral walkway. Across, a troop of elephants, cut in stone, regaling in a water bath, tempts exploration.

The garden itself is divided into distinct areas. On one side of the spiral walkway is the Khas Bagh, a formal garden patterned on the lines of the Mughal Garden. Slow-moving water cascades in channels along its length, while flowering and fragrant shrubs and trees line its paths. The Central axis leads to a series of fountains, some of which are lit up by fibreoptic lighting systems. Encapsulating the expression here is the sculpture of 'A Fountain Tree".

Secluded, away from the heart of the garden, on the other side of the walkway is the food and shopping court. A series of terraces provided with seating arrangements face the food court.

The heady Trail of Fragrance leads away to a rocky ridge to the north, where elevated amongst the rocks, a sculpture in stainless-steel, inspired by a pin-wheel, dances in joyous abandon.

Wander down the meandering paths to Neel Bagh, a pool of water lilies encircled by pergols covered with climbing plants of different colours and textures.

Overhead, hundreds of ceraminc chime, whispering secrets to the breeze, teasing you with their gentle laughter.

There are Colour Gardens - beautiful compositions of flowering shrubs and ground covers that have you looking at familiar plants with new eyes. The Courts of Specimen Plants display not so frequently seen species - of bamboo, for instance, or cactii, or herbs.

Nestled amongst the natural slope of the site is the amphitheatre with blocks of sandstone to serve as seating. At the rear of the garden is an open exhibition area for displaying art and for holding art workshops.

Almost two hundred varieties of plants are introduced. In addition, there are large areas where the existing vegetation, consisting mainly of trees such as the local Kikar and the thorny Ber bush, has been left untouched.

The Garden has been designed to the imagery suggested by the name Garden of Five Senses. Colour, fragrances, texture and form all come together in an evocative bouquet that awakens the mind to the beauty of life and invokes a grateful prayer for the gift of sight, sound, touch, smell and taste

source: tourist places in delhi {www.delhiplaces.com}

delhi tourism place

Azad Hind Gram


Azad Hind Gram Tourist Complex at Tikri Kalan is a project developed by Delhi Tourism to honour Netaji Subhash Chandra Bose and to create quality leisure space and wayside amenities for the citizens.Located within two kilometers of the Delhi Haryana border on NH-10, the architecture of the project is inspired by North Indian achitectural style and the traditions of Indian craftsmanship. 

The elaborate mosaic domes surrounding the museum and the memorial are the focus of the complex which offers the facilities of extensive plazas, an amphitheatre, tourist information centre, souvenir andgarden shop, food kiosks, a restaurant, public toilets, drinking water,

public telephone andconvention facilities






















Akshardham Temple
Swaminarayan Akshardham reflects the essence and magnitude of India's ancient architecture, traditions and timeless spirituality.

The main monument, depicting ancient Indian "vastu shastra" and architecture, is a marvel in pink sandstone and white marble that is 141 feet high, 316 feet wide and 370 feet long with 234 ornate pillars, over 20,000 sculptures and statues of deities, eleven 72-foot-high huge domes (mandapams) and decorative arches. And like a necklace, a double-storied parikrama of red sandstone encircles the monuments with over 155 small domes and 1,160 pillars. The whole monument rises on the shoulders of 148 huge elephants with 11-feet tall panchdhatu statue of Swaminarayan presiding over the structure.

The other attractions of the complex are three exhibition halls spaced around two huge ponds, where one is a venue for light-and-sound show. The three halls are "Sahajanand Darshan", "Neelkanth Darsdhan" and "Sanskruti Vihar". "Sahajanand Darshan" is where life of Swaminarayan is displayed through robotic shows, while "Neelkanth Darsdhan" has a huge I-Max theatre screening movie based on the life of the Lord. Another amazing presentation is "Sanskruti Vihar" with 12-minute boat ride experience of India's glorious heritage. 

The sprawling Swaminarayan Akshardham complex spread over 30 acres on the banks of the Yamuna near Noida Mor in East Delhi.

For visitors, entry to the complex is free. However, those who want to visit exhibition halls and theatres, Rs.125 is to be paid and for children and senior citizens the charges are Rs.75. "Over 6,000 visitors could easily witness the shows and enjoy boat-rides everyday, while over 25,000 people can visit the temple. We have deployed almost 140 guides who will facilitate visitors during their visit. It requires at least four hours to visit the entire complex thoroughly and see all the shows," said a temple management committee member, adding that the opening ceremony would be telecast live on Aastha channel. Elaborate security arrangements have also been made for the entire complex. Besides installing close circuit television cameras it has also deployed hundreds of its own security personnel.

The Rs.400-crore cultural complex, inspired by Pramukh Swami Maharaj of the Bochasanwasi Shri Akshar Purushottam Swaminarayan Sanstha (BAPS), will be popularised by its builders as "a place for cultural education and entertainment". The temple complex has drawn inspiration for its architecture from the historic temples of Badrinath (Uttaranchal), Somnath (Gujarat) and Konark (Orissa). It is the second Akshardham complex in the country after the one at Gandhinagar in Gujarat.

Even as last-minute preparations are now on for the inauguration, curious visitors have started coming in for a look or for offering "puja" and "abhishek".

At the heart of the complex is a palace-like monument built of at least 12,000 tons of pink sandstone and white marble brought in from Rajasthan. Topped with a series of domes, it stands 129 feet high, 275 feet wide and 315 feet long. Almost every square inch of the exterior has been exquisitely carved with statues and motifs of Hindu deities and Indian flora and fauna.

Pramukh Swami Maharaj, the 83-year-old spiritual leader of the Swaminarayan sect that has over 10 lakh followers across the globe, has closely monitored every detail of the complex. It took over 7,000 builders, masons and polishers to build the complex in record time. The place is built to withstand major quakes "and to last at least a thousand years".

The complex has two huge exhibition halls; one will take visitors on a visual journey through India's cultural heritage, while the other "will depict Indian moral values through a light-and-sound show". The complex also boasts of an Imax cinema, a canteen big enough to accommodate 5,000 people at one sitting, a research centre for "social harmony" and meditation gardens dotted with fountains and bronze sculptures


Bahai Temple


East of Nehru place, this temple is built in the shape of a lotus flower and is the last of seven Major Bahai's temples built around the world. Completed in1986 it is set among the lush green landscaped gardens.

The structure is made up of pure white marble The architect Furiburz Sabha chose the lotus as the symbol common to Hinduism, Buddhism,

Jainism and Islam. Adherents of any faith are free to visit the temple and pray or meditate.

Around the blooming petals there are nine pools of water, which light up, in natural light. It looks spectacular at dusk when it is flood lit






















source: tourist places in delhi {www.delhiplaces.com}